June 29, 2009

July 2009 Schedule

Well, we have a holiday, plus I have an anniversary and a vacation this month.  In sum, there will be no class on July 4 and 14, then a break from July 23 to August 4th.


Here is July's Class Schedule:

Tuesday Thursday Saturday
June 30: reg sched July 2: reg sched July 4: no class
July 7: reg sched July 9: reg sched July 11: reg sched
July 14: no class July16: reg sched July 18: reg sched
July 21: reg sched July 23: no class July 25: no class
July 28: no class July 30: no class Aug 1: no class 


I will send a reminder out about the 14th and the break at the end of the month.
Keep breathing and stay cool....
Renee

June 24, 2009

Pointing the Way (Part I): Basil Twist's Dogugaeshi


A couple of weeks ago, I went to see Dogugaeshi at Spoleto.  When we walked into the theater area, immediately the environment was altered.  It was dark, and paper lanterns cast a soft glow that led the way to our seats.  Even though we were at an auditorium, the darkness and the ceiling emphasized the smallness of the side hall.  On the ceiling black gauze was draped in billows from the back of the theater all the way to the stage.  

Basil Twist, the puppeteer, came out and prefaced what we were about to see.  Dogugaeshi is a traditional Japanese art form (almost lost) comprised of sliding screens that make intricate patterns.  It became its own art form from Japanese puppetry in the 16th century.  Twist has become a steward of the tradition and will quite possibly revitalize it.

The show began with all of us sitting in a quiet, pitch-black room.  Then a gauze screen appeared that glowed like the lanterns.  It moved out of the way to reveal more layers of gauze screen that in its own time moved out of the way.  I realized that this was how people made moving pictures before film.  Candles were used behind a gauze screen to create shadow silhouettes that could move and tell a story.  

On stage, the silhouette of boats riding on a sea appeared.  Japanese music accompanied the movement of the boats.  Then the screens became actual panels that moved together to make sometimes a mural, sometimes just a beautiful design.  The panels shifted and moved until it was a perspective that ended at a tiny vanishing point.  The music and the panels progressed from a blank screen to a play of silhouettes to murals and designs.  When the screens stopped moving we were looking at a room of infinite screens.  A fox appeared.  It appeared in one spot, then another, then from the ceiling, then far away in the distance.  

Descriptions of the experience of meditation are described as at first, overcoming the distractions of the mind and its myriad tactics to continuously create screens that cover up our still centers.  When we penetrate the screens of the mind, it fights.  Many descriptions recount a period of fear and darkness that the mind generates as the meditator cultivates his/her meditative state.  The mind pulls the fear card too.  And so, as we watched, the music became discordant, the screens began to shake and fall to the side.  Perhaps a description of the destruction that takes place of our mind's screens as we penetrate deeper.  It was as if the world were coming to an end.  Then silence.

The screens went away, and it was pitch black again in the room.  Then the fox reappeared dancing to the music.  The puppeteer was dressed in black and could be seen. It was then that I saw how a universal self or spirit animates us.  Our attention is anchored to worldly things and experiences, but we are all animated by this universal emptiness.  This universal self, which is really nothing, dances with this world through us.

It's all very funny, and the fox's dance was funny.  It swirled with grace, then pranced and did a sachet with it's tail like a diva with a feather boa, then it was engaged in dance with the music and beautiful because it was entranced.

The screens came back.  The fox went back to exploring the spaces in the screens.  At this point I realized that the way the theater was set up with the gauze billowing from the ceiling, that we are in this infinite space of screens ourselves.  We are part of the screens.  The Self animates us while simultaneously we are part of this picture that reaches into infinity.

To see a short video clip from Dogugaeshi click here. There is more to this show than what I have described and regardless of your pursuit in meditation, well worth seeing.  Anytime that a Basil Twist show comes near here, I will certainly be there to watch.

Seeing this show along with meeting someone who knew Chogyam Trungpa, the subject of my next post, makes me feel that some more of the way has been pointed out to me.  And maybe here recently I have gotten a double reminder of what it is to catch a glimpse past the screens.

May 23, 2009

In Honor of Pattabhi Jois

Pattabhi Jois died on May 18, 2009 at the age of 93.  He was the founder of the Ashtanga vinyasa yoga system, which is where I began with a dedicated practice.  He was known for, of course, being a yoga master, and he was also known for his great sense of humor.  I had the honor of being led through the primary series for a week by him.  May his family be at peace and find great comfort at this time.

April 29, 2009

Check out this blog


A friend told me about this blog recently.  I just had the hilarious good fortune to remember it and look it up:  www.yogabeans.com

April 28, 2009

Recent FAQ: Are you teaching over the summer?

Answer:  Of course I am!  Come join us!

On Saturday, May 16th we will not have class.

I am going to be out of town the first weekend in June.  So, we will not have class June 6th.  

At the end of July, I will be away for a week.  I will put the word out about classes that week as the date draws closer.

April 14, 2009

Where we are practicing outside

I walked out of the Hayden Conference Center a couple of Saturdays ago, and thought I would look for a new spot.  I turned right and went down a small hill past some bird feeders and saw what I thought was a willow tree and a pile of wood.  So beautiful.  It's an ash tree.  This is where we are practicing when the weather is good.  Why didn't I look down the hill sooner?

                                        Ash tree 4

March 31, 2009

April 2009 Schedule

All classes will be held as scheduled except for Tuesday, April 14th.  This class will be offered on Monday, April 13th instead.  The class time will be the same: 6:00-7:15.

Thanks,
Renee

March 28, 2009

Recently Read: The Inner Tradition of Yoga

I have two translations of The Yoga Sutras, and I will admit that for the past three or four years I have been stuck on two of the sutras.  The words are simple, but I have not been able to wrap my mind around them.  I have discovered that the yoga sutras are not something to read from start to finish.  So, how do you even get an overview of what may be in them?  Where do you start if you want to learn more about yoga beyond asana and the eight limbs? 

I recently finished a book that has given me some more foundational knowledge: The Inner Tradition of Yoga by Michael Stone.  He has an understanding to the point where he can apply theory to our everyday living and write about it for those of us just beginning to explore yogic theory in earnest.  In Inner Tradition, he unpacks what the sutras say about suffering and brings definition and clarity to them.  He also outlines the subtle bodies, or dosas, in a way that is easily understood, accessible, and grounded.  In the beginning, he introduces this book to be about the psychological experience of a committed yoga practice and the letting go that must happen if a practice is to deepen and expand.  Instead of being about postures and how to deepen them, this book is about how a yoga practice can be experienced and cultivated in our lives.  He remains true to his aim, which is to introduce yogic theory to modern day Westerners and apply this theory to what we face in our day to day lives.

Yoga oftentimes is treated as just a physical practice, with the deeper aspects denied or ignored.  I think that many are fooled that by practicing postures alone, we will become enlightened, or at the very least wiser.  It's like saying that going to an aerobics class makes us wise.  It could, but what is required is that we bring a awareness to what we are doing and a willingness to explore ourselves internally.  A physical practice without a mindfulness practice only cultivates the separation of who we truly are from what we want to be (a.k.a. narcissism). Physical practice includes any kind of workout, and one form of yoga is a physical workout.

Here is an excerpt from page 12, "This book is about how to cultivate a yoga practice, what constitutes a yoga practice, how to recognize and work with the different stages on the path, and how to keep the tradition of yoga a living tradition through committed practice and critical engagement.  On a heart level, this book is about the cultivation of patience, honesty, nonviolence, wisdom, and the ability to meet life as it occurs from moment to moment without habitual forms of clinging"

The message throughout the book is to stay mindful during practice and from this, we begin to understand clearly the dimensions of the self and reality.  With breath and asana, we stay grounded as understanding develops.  Breath and asana are the classroom.  We can pay attention or not, but to pay attention is to discover the richness of life because we are experiencing it directly and not through an emotional filter, a mental block, a belief, or any other construct of the mind.

From page 14, "In the center of the human body we find the center of all things because when breath, mind, and body come together in an instant of experience, reality unfolds.  Reality unfolds when the mind can stay completely present in a breath cycle, especially at the completion of an exhale.  The exhale completes itself in the pelvic floor, the center of gravity, the resting place of the mind."

I appreciate that despite all the theory and concepts that he lays out, breath and asana are at the center of what each yoga practitioner must do.  In the focus on breath and asana, we come to realizations about ourselves, and we come to accept these realizations.  Using breath and asana as a vehicle to self realization keeps us grounded and closes the gap between who we truly are and what we want to be.

He defines the causes of suffering and distinguishes them from the symptoms of suffering (also termed poisons of the heart).  It is in this area of the sutras where I have gotten bogged down, and now, I can go back to them with more receptivity to what the sutras and their translators have to say about dukkha (suffering) and the klesas (poisons of the heart).

Also, I keep going back to the way he describes how we process information.  We receive data through our senses, our brains register the data, then we decide whether or not we like it.  From there, we own it and hoard it away somewhere in our body.  This can be a vicious cycle if we get stuck on the aversion track.  It can also stunt us if it is the pleasure track.  He points out that this cycle is the way an addiction forms.  Addiction is like a scratched record.  Through breath and letting go, we can nudge the needle off the repeating track and onward into the rest of what life experience has to offer us.  This was one of the many aha moments that I had while reading the book.

Side note about the broken record: I think we can unknowingly get stuck, even in a yoga practice.  For instance, many of us think we aren't doing anything if we don't feel the pose where we think we should feel it.  The shoulders and the spine can be a tricky like that.  If we reach out, we may take our arms past our spine behind us bending the spine back by tilting the tailbone up thinking we need to feel the stretch in the pectoral muscles of the chest.  But, really, just reaching the arms out while keeping the spine in a neutral position is what we need.  From this position, we do not overstretch the shoulders, we can engage deep breathing much easier and the actual stretch in the chest will feel more like an unloading.  And taking a load off our chests is exactly what we need most of the time.

Since starting this post, I have gone to the sutras that have mystified me and don't know why I got stuck.  What I needed was a general picture, which is what Stone has provided with The Inner Tradition of Yoga.  Now, I can pick up the sutras and take them one at a time and read the commentaries without feeling like a blind person being led by a stranger across uneven terrain.

Books referred to in this post:

The Inner Tradition of Yoga: A Guide to Yoga Philosophy for the Contemporary Practitioner by Michael Stone

The Yoga Sutras of Patanjali: Translation and Commentary by Sri Swami Satchidananda

The Essence of Yoga: Reflections on the Yoga Sutras of Patanjali by Bernard Bouanchaud

 

March 13, 2009

Tommorrow begins the Saturday classes

People have asked what the Saturday class will be like.  My response has been, "It depends on who shows up for class."  So, what do I think the Saturday class will be like?  I think it will be a mixed level class, and any day that is not to hot and buggy or too cold and windy will be a day that we are outside.  So, if you plan to come to the Saturday morning classes, you may want to pack your sunscreen and a little bit of bug repellent if you tend to be well loved by mosquitoes and such.  Judging from the weather today and the forecast, it looks like we will be inside tomorrow.  Maybe I will put on some warm and sunny music for us all....
I look forward to seeing everyone in class!
Renee

March 03, 2009

Tuesday, March 3rd class is cancelled

The icy weather caused a power outage at The Garden.  As of late this morning, the Hayden Conference Center still is without power.  Anyone who a Tuesday regular is welcome to come to class this Thursday when it should be warm and dry.

I look forward to seeing everyone in class soon!
Renee

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